Megalith: Block Text Posters

Megalith turns a handful of words into a striking, block-justified text graphic. Every line is stretched to fill the same width, with each line’s font size set by how much text it holds — so your words form a solid block with clean edges on both sides. It's the look of vintage justified posters (“ON THE BEACH,” the old “FALL IN” recruitment prints), rebuilt as a fast, tactile app. Type. Shuffle. Share. Enter a phrase and Megalith lays it out instantly. Don't love the arrangement? Tap Shuffle to re-roll the line breaks and font mix — every tap is a fresh composition. Step back through previous shuffles anytime with Undo. MADE FOR • Quotes, lyrics, and one-liners • Album-cover and merch-style lettering • Social posts, stories, and covers • Anyone who loves bold typography FEATURES • Block-justified layout that fills clean left and right edges automatically • Shuffle to re-roll fonts and line breaks — with Undo • Three typeface families: sans serif, serif, and slab serif • Multiple fonts mixed across lines for real poster character • Force your own line breaks by pressing return • Adjustable minimum line length to control how short a line can get • Pick any text and background color • Use a photo as your background, with optional blur • Four canvas formats: Square, Portrait (4:5), Story (9:16), and Poster (2:3) • Live preview that matches your export exactly — what you see is what you share • High-resolution export to Photos, Messages, social apps, and Files DESIGNED TO FEEL EFFORTLESS Behind the simple interface is a careful layout engine that measures the actual ink of each letter to align edges precisely, then balances fonts and breaks for a result that looks composed, not computed. You just type — Megalith makes it look intentional. No account. No subscription. Just type a few words and make something worth sharing. Screenshots include quotes from Bob Dylan's “From a Buick 6,” Carbon Leaf’s “Paloma,” Saul Williams’ “Amethyst Rocks,” and Temples’ “Keep in the Dark,” along with a photo by Gabriele Motter.